Oct 8, 2009

Roots


To a tree, roots serve a very important purpose. They anchor the tree to the earth, extract nutrients from it to sustain it's life and provide a broad base of support for the trunk, branches, fruit and canopy of leaves that we get to enjoy. The funny thing is they provide all this service hidden from view, below the surface. Many do not know that often a trees roots will encompass an area below as large as the branches above. On the occasions that they rise above the ground as they do here, I find them fascinating an always an interesting art form. Here is an example that caught my roving eye in Louisiana this past spring that has made me reflect on where the 'roots' in my life are. In one circle of my influence, they lie professionally with the object of today's second blog, along with other master photographers/friends such as Ernst Haas, Galen Rowell and Art Kane to name a quick short list, but in more personal thoughts, this root is with the living God, Jesus Christ, who has sustained me, also below the surface and hidden from view and has given me the the mind and vision I have. I would hope that this image today would also prompt you to think about your own 'roots' in life.

Roots B



This additional post today is a tag along entry to the one above.
Sadly, the photography world has lost another one of it foundations or 'roots'. Irvin Penn (June 16, 1917-October 7, 2009) died yesterday at his home in Manhattan. His influence on the art of photography and design as well as my own work is substantial both directly and indirect. He along with Richard Avedon and Art Kane (a teacher and mentor of mine) was a student of the very influential Alexi Brodvovich.
Penn's work was widely varied with pursuits and major success in fashion, fine art and portrait photography, drawing, painting and design among many others. He photographed the famous to the ordinary and made memorable images of them all. Here are two shots that have always come to my mind when I have thought of him. The first of Truman Capote which I think envelopes the essence of portraiture in capturing this particular personality and the second of Picasso, whom within this image reveals only one eye. This detail along with the strong graphic elements I think plays on the artists own work.